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Back to the Bump N' Grind
Michael Citrome
The Montreal Gazette
Thursday, February 24th, 2005
The lights are still dimmed when
the music starts - a vampy flamenco number - and as the scene gets
brighter, a statuesque, raven-haired woman, lit up in shimmering
blue satin, begins a slow, sensuous bump 'n' grind.
In a few minutes, she'll be down
to a pair of pasties and a sequined G-string, with the crowd hooting
for more - but that's the end of the act and the essence of the
burlesque tease.
This isn't a jazz-age nightclub,
with tuxedoed patrons swilling bathtub gin. It's Montreal on a blustery
February night in 2005.
And for the 700 people packed into
the beautifully restored art-deco Corona Theatre near the Atwater
market last Saturday night, it's a taste of burlesque, a nightclub
art form that's been enjoying a recent revival.
"People are charmed by the
show," said Carine Bouchard, 28, a professional hairstylist
who's better known to her fans by her burlesque alter ego, Miss
Blue Cherry.
Bouchard is one of the founders
of Blue Light Burlesque, one of a handful of local troupes dedicated
to the art of burlesque. Their performances are sexy and theatrical,
with showgirl dancing, Chaplinesque mime, lip-syncing and the kind
of costumes seldom seen outside a Tex Avery cartoon.
"For people who'd never seen
a burlesque performance, they were pleasantly surprised. There's
nudity, but it's not vulgar or degrading," Bouchard said.
In fact, there's a lot of putting
on and taking off stockings, and more leg than a ZZ Top video.
And the performers wear pasties,
often of the tasselled variety, so there isn't much more exposed
flesh than you'd see on MTV Spring Break.
That kind of modesty might seem
quaint today, but up until the 1970s, Montreal was famous for its
burlesque shows.
Although last Saturday's audience
was young, most of them in their 20s and 30s, Blue Light Burlesque's
show brought out nostalgia-seekers, like Newfoundlander Jeffrey
Squires, 46, who remembers going to burlesque shows 25 years ago.
"There used to be 15 or so
burlesque clubs in Montreal. Now they've been turned into strip
bars. Strip bars have got no class - burlesque is a show, it's a
fantasy. It's an art," he said. "I hope they bring back
the old Montreal."
Although the performance style features
scantily clad ladies cavorting on stage, the audience is split about
evenly along gender lines.
"I like the tease and the sensuality
and the suppleness of the ladies that I'm seeing. Women are supposed
to be curvy and sexy. These women look like real women," said
Melissa Thompson, 22, who works as a bike courier.
"I think it would be fun to
take off my clothes in front of a lot of people hooting and hollering
in a fun, burlesque way - and I would like to do it for a lover,"
Thompson added, only cracking up a little bit.
Of course not all burlesque has
to be retro - another local troupe, the Coral Lees, injects some
modern themes into the mix.
"We don't really do any retro
numbers. I have tattoos and I don't look retro," said Elsa
Lee, 24, who is also a former porn star and part-time wrestler.
"We do a number about phone
sex where Seska (Lee, Elsa's partner) and I play the fantasy and
reality of phone sex - what you imagine and what you really get,"
she said.
Burlesque performances are a series
of vignettes - four or five minutes of bump 'n' grind with a big
finish at the end. But coming up with the idea of an act requires
a balance of costume, music and persona.
"Those are the three points
of the golden triangle - we pick one and the others fall into place.
We might just think of a costume, like it might be cute to have
something with flowers, and we just take it off from there,"
said Kurt Hemming, who helped found Blue Light Burlesque with his
partner, Miss Oui Oui Encore, and Bouchard.
Kurt plays several parts in the
performance himself - including a hapless newlywed and a hapless
security guard who's baffled by a mischievous "painting,"
who keeps taking off parts of her costume.
The costumes involve more than just
raiding thrift shops and Grandma's old lingerie drawer. For Bouchard's
flamenco costume - inspired by a 1950s Spanish doll - she went to
her friend Sonia Barbe, a designer and seamstress who runs a clothing
shop called Diabolik (257 Mount Royal Ave. E.).
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